And Mac clearly delivers a hardware experience with Retinal displays using postscript On the other hand, the browser experience of Safari on the Mac is amazing, it integrates with IOS, FaceTime, IMessage etc. The Mac way of doing things (they know best of course) foists a confusing and time-consuming bifurcated menu system on
#Outlook for mac email fonts Pc#
On a large screen, the Apple menu houses a ton of commands that on a Windows PC are integrated into the ribbon interface. Outlook Mac doesn't support insertion of tables, you can't show the markup because there is no paragraph button, and tons of other featuresĪrea missing.
Who knows how other screen elements render on the PC side. This is only the lost in translation issue with fonts. This is totally illogical and counterintuitive. Also note in the example below that 12 pt Mac translates into 9 pt PC whereas 11 pt Mac renders as 10 pt PC So in a sense everything works, but this is not exactly how WYSWIG is supposed to work - this is a perversion of the concept. Since my desire is to send emails in 11 pt, I display them in 15pt in Outlook/Mac and they show up to the So bumping up theįont size to make it more readable during the email composition phase paradoxically and weirdly renders the font correctly on the recipient's computer. In the screenshot below, it is also apparent that if you are composing the email in O2016/Mac, 11 and 12 point fonts are tiny (I have tried this on both a Retina MBP and Retina 5K iMac). The numbers below represented the following: an email sent from Outlook 2016 for Mac using a 16pt Calibri font that displays asġ2 pt when it is received in Outlook for a PC etc. This issue has been addressed previously in some angry posts on this forum, but I thought I would address it a bit differently.
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